Apocalyptic positivity: A journey through Emily E. Ritter’s 'Ecologies of the Self'
The Wichita artist metabolizes our collective waste into speculative biology in an exhibition at the Clayton Staples Gallery.
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The Wichita artist metabolizes our collective waste into speculative biology in an exhibition at the Clayton Staples Gallery.
Seven artists show wearable pieces inspired by works from the library's art collection.
The works in Alpert's exhibition "Primary Traces," asks visitors to utilize their imagination and enter a state of wonder.
The Oklahoma-based Four Mothers Collective curated the exhibition by women and two-spirit artists that traces the evolution (and preservation) of their culture.
The two exhibitions explore how artists of Japanese heritage combine traditional approaches with contemporary concerns.
A retrospective of works from 1975-2025 functions as a 'meditation on life itself — its tensions, transformations, and fragile beauty.'
"If you mess something up, you can usually fix it, even if you have to change the size of what you're doing."
The artist combines traditional Malaysian weaving practices and secondhand detritus to comment on gender roles and the meaning of wealth.
In their Bachelor of Fine Arts thesis exhibition, the Wichita State artist creates an unsettling experience to confront family trauma.