In the Galleries: Bernardo Trevizo, Karissa Ruth, & Connor Seybert at Harvester Arts

In the Galleries: Bernardo Trevizo, Karissa Ruth, & Connor Seybert at Harvester Arts
In "The Other Mexican Artist in Wichita," Bernardo Trevizo presents paintings that explore Mexican and Mexican-American identity and its impact on culture. Photo by Emily Christensen for The SHOUT.

Harvester Arts’ expansive footprint and its eclectic approach to exhibition can make for a dizzying visual array, and perhaps never more so than right now: The Wichita arts organization has six wildly divergent shows on view through July 30. 

Bernardo Trevizo presents six new paintings in “The Other Mexican Artist in Wichita.” The artist’s talent for humorous mashups is evident in paintings like “Mexican Americans Love Paletas,” a tribute to actor (and noted Chicano art collector) Cheech Marin. Its solid background signals that it belongs to Trevizo’s “Mexicans Doing Mexican Things” series of paintings that play with common stereotypes.

Bernardo Trevizo, “Mexican Americans Love Paletas,” oil on canvas. Photo by Emily Christensen for The SHOUT.
Bernardo Trevizo, “Don’t Get It Twisted Fool,” oil on canvas. Photo by Emily Christensen for The SHOUT.

The show includes paintings from Trevizo’s “The Land Was Gold” series, composed of paintings rendered with gold leaf accents. 

Bernardo Trevizo, “Aqui Estamos, Siempre Estamos, No Nos Fuimos, No Nos Vamos,” acrylic and gold leaf on canvas. Photo by Emily Christensen for The SHOUT.

Photographer Karissa Ruth documents Wichita dancers in “Pole Art.” In addition to scores of photographs, the exhibition includes answers to a survey she conducted with her subjects, plus a temporary pole that dancers twirled on during the First Friday reception earlier this month.

A moveable pole functioned as a stage for dancers during Harvester Arts’ July First Friday reception. Photo by Emily Christensen for The SHOUT.

A particularly striking series of images features subjects suspended from “Wichita poles” — the signposts and traffic poles that dot our urban landscape. 

Photographs by Karissa Ruth, from left: “Immy 1,” “Karissa 1,” “Wichita Pole.” Photo by Emily Christensen for The SHOUT.

Connor Seybert’s “Through a Rented Car Window” documents three trips to Ireland. In addition to predictably scenic views, many images capture the context: reflections from the roadway, windshield wipers, window stickers, a self-portrait in a side mirror. Seybert’s decision to print, frame, and present this body of work in a gallery setting invites reflection about how we travel and make sense of landscapes. And his car seat and door window installation, through which visitors can view a series of projected photographs, is pure fun.

Connor Seybert, “Through a Rented Car Window Portrait.” Photo by Emily Christensen for The SHOUT.
Works by Connor Seybert in “Through a Rented Car Window.” Photo by Emily Christensen for The SHOUT.
The centerpiece of Connor Seybert’s travel photography show is a car seat and window. Visitors can share the photographer’s vantage point by taking a seat and viewing a series of projected photographs. Photo by Emily Christensen for The SHOUT.

Other exhibitions on view at Harvester in July are “Captured: An Image(ination) of Self,” analog and digital self-portraits by A Lee Haworth; “Carrion and the Soul,” mixed-media works concerning selfhood and disability by Etienne Wesley; and the group show “Manual Exposure with Minimal Experience.” You can read all of the artist statements online. 

A diptych from A Lee Haworth’s “Captured: An Image(ination) of Self.” Photo by Emily Christensen for The SHOUT.
Harvester Arts often hosts multiple concurrent exhibitions. There are currently six exhibitions on view through July 30. Photo by Emily Christensen for The SHOUT.

Harvester Arts is located on the first floor of the Lux apartment building in downtown Wichita, 120 E. 1st St. Paid parking spots are available along 1st and Market Streets. Gallery hours are 3-6 p.m. Monday-Friday and 10 a.m.-2 p.m. Saturdays.

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