Apocalyptic positivity: A journey through Emily E. Ritter’s 'Ecologies of the Self'
The Wichita artist metabolizes our collective waste into speculative biology in an exhibition at the Clayton Staples Gallery.
Skyler Lovelace wrangles pixels, pigments, and poetry into new shapes at the Studio School in Wichita, Kansas. She leads a poetry group in the former principal’s office and hosts Art Club and StitchKraft in upstairs classrooms.
The Wichita artist metabolizes our collective waste into speculative biology in an exhibition at the Clayton Staples Gallery.
This installment in an ongoing series about the City of Wichita's public art collection examines a 1975 steel sculpture on long-term loan to the city from Fidelity Bank.
The exhibition includes a wide range of photographic processes, including cyanotype, Polaroid, and film developed in coffee. It's on view at the Riney Fine Arts Gallery through March 29.
To celebrate, Skyler Lovelace reviews poetry volumes by Tyler Robert Sheldon, Olive L. Sullivan, and Laura Lee Washburn from the small press' back catalog.
In "Reviving the Lost," Ford's colorful assemblages invite us to consider our layered past. The exhibition is on view through January 18.