A creative family tree: 'Art in the Family' at the Derby Public Library

An exhibition organized by the Derby Arts Council includes work by members of 15 families.

A creative family tree: 'Art in the Family' at the Derby Public Library
Works by members of the Kreibach family are installed together in "Art in the Family," on view through June 24 at the Derby Public Library. Photo by Shelly Walston for the SHOUT.

Each creative family is creative in its own way, and it’s that uniqueness of artistic expression that Derby Arts Council offers for consideration in their “Art in the Family” exhibition on display through June 24 at the Derby Public Library.

The library sits just off the bustle of Rock Road, yet the building is quiet, inviting, and tucked into a neatly landscaped space. The large double doors open into a high-ceiling, bricked foyer, and it’s on these walls that visitors first encounter “Art in the Family,” a showcase of art by members of 15 families.

Seven families’ works line the foyer, complemented by those of the eight other families in the Community Room adjacent to the entrance. From photography to fiber arts, the pieces show how truly woven expression can be — from father to daughter, from husband to wife, and from grandmother to grandson. 

Works by members of the Hashbarger Howard family in "Art in the Family" at the Derby Public Library. Photo by Shelly Walston for the SHOUT.

The displays themselves — clusters of four to eleven pieces — fan across the walls, like the branches of a broadly-based family tree. Even the artwork labels bear resemblance to an illustration of family connections one might find on an ancestry website. 

Viewed through one lens, the images in the Stockebrand Family’s photographic installation might be described as predator versus prey. A coyote stalking the fields in “Mousing” is opposite “Carolina Pronghorn,” which catches an antelope grazing. Both photographs are by Brian Stockebrand. In a different light, the logic of the arrangement might be as simple as largest to smallest, down to the momentary flap of the hummingbird’s wings in “Humming Around” by Greg Stockebrand to the impressive wingspan of the bird captured in a reedy wetland in “I Be Ibis” by Elvin Stockebrand. But it’s the breadth of the images that make the collection lovely, from land to sky, images taken by father, son, and grandson.

Installation view of the Stockebrand Family collection. Photographs by Elivn, Greg, and Brian Stockebrand. Photo by Shelly Walston for the SHOUT. 

The Fortine Pike Family display features works by two sisters. The bold color palette of Laine Pike’s “Big Blue’s Harvest” contrasts with the subdued hues of “Picking Flowers” by Lauren Fortine. While Pike’s pieces lean toward realism with an abstract edge, her sister Fortine’s brushstrokes encourage the viewer to stand closer and consider pattern.

Installation view of the Fortine Pike Family collection. Photo by Shelly Walston for the SHOUT. 

Intricate lace patterns complement geometric photography in the Runge Family works, located in the foyer. In “Pink and Blue,” wife Melanie Runge’s small stitchwork weaves a figure that is both crosshatch and sunburst, the semicircle motif repeated as often as its opposite. Likewise, the two photographs adjacent, “Bee Taking Off” and “Wichita Time Warp” by husband Marty Runge mimic the geometric patterns. The six pieces in total play off of one another in shape and hue with pinks, blues, greens, and whites bouncing from one medium to the next, from thread to pixel. 

Runge Family - Installation: Installation view of the Runge Family collection. Photo by Shelly Walston for the SHOUT. 

The largest collection comes from the Ausherman Depew Mathias Family, and the words “Mother + Three Daughters” just under the family label indicate the link between pieces. Despite its composition of multiple materials — textile arts, line drawings, mixed media, and watercolor — the thread of the family’s work is clear. The central piece by Abby Ausherman is silkscreen on fabric and titled “Woven Together.” The greens, reds, blues, and sepia tones of the family portrait resemble a patchwork quilt, yet the faces are blurred, connections overlap, and the fabric stretches to accommodate the Olan-Mills-esque grouping. Frayed at the edges, the piece seems to indicate that even close-knit relationships are never as picture-perfect or uncomplicated as they seem. 

Installation view of the Ausherman Depew Mathias Family collection. Photo by Shelly Walston for the SHOUT. 

“Planted” by Kayann Ausherman looks like batik fabric, but instead of a wax-resist, the layers of paint and mixed media create the relief and depict a turtle nestled safely among a riot of leaves. “Blooming Peonies” by Betty Mathias is a watercolor patchwork with an ink drawing overlaid, and “Cochineal” by Abby Ausherman is yet another silkscreen piece, featuring a scarlet swath that acts as the backdrop for an embroidery reminiscent of honeycombs and indicating the interconnectedness of everything inside the hive. 

Family is stitched into each piece of the exhibition on display at the Derby Public Library, and it invites viewers to wonder what creative ties bind us to those we hold closest. 

The Details

“Art in the Family” 
Through June 24, 2025 at the Derby Public Library, 1600 Walnut Grove Road in Derby, Kansas

The Derby Public Library is open 9 a.m.-8:30 p.m. Monday-Thursday, 9 a.m.-6 p.m. Fridays, 9 a.m.-5 p.m. Saturdays, and 1-5 p.m. Sundays.

Learn more about exhibitions at the Derby Public Library.


Shelly Walston is an educator, reader, writer, and collector of commemorative state plates. She's been teaching English at the high school level for more than two decades. When not grading essays, working on her novel, walking the dogs, or playing strategy games, you'll find Shelly sprawled on her couch, reading a book. More of her writing and book reviews can be found at shellywalstonwrites.com. 

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